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	<title>English &#8211; Athens in a poem</title>
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	<description>Urban Poetics in the Greek capital</description>
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		<title>&#8216;that fierce democraty&#8217;: Athens in John Milton&#8217;s Paradise Regained, 1671</title>
		<link>https://athensinapoem.com/2021/01/13/that-fierce-democraty-athens-in-john-miltons-paradise-regained-1671/</link>
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		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Wed, 13 Jan 2021 11:22:32 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Urban Poetics]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=2079</guid>

					<description><![CDATA[Look once more, ere we leave this specular mount, Westward, much nearer by south-west; behold Where on the Ægean shore a city stands, Built nobly, pure the air and light the soil— Athens, the eye of Greece, mother of arts And eloquence, native to famous wits Or hospitable, in her sweet recess, City of suburban, [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>Athens in poems (2019), ed. by Konstantina Georganta</title>
		<link>https://athensinapoem.com/2019/06/05/athens-in-poems-2019-ed-by-konstantina-georganta/</link>
					<comments>https://athensinapoem.com/2019/06/05/athens-in-poems-2019-ed-by-konstantina-georganta/#respond</comments>
		
		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Wed, 05 Jun 2019 07:19:13 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Urban Poetics]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=2627</guid>

					<description><![CDATA[Athens in Poems An Imaginative Map of the City The Colleagues&#8217; Publications, 2019. A book of poems by well known Greek poets from late 1880s until nowadays. A special section with historical and general information for every Athens spot as referred in the poems completes the edition. Thus a virtual map is created, useful to [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>παράξενος κόσμος που λέει πως βρίσκεται στην Αττική και δε βρίσκεται πουθενά / George Seferis, In the Manner of G.S. (1936)</title>
		<link>https://athensinapoem.com/2018/01/01/%cf%80%ce%b1%cf%81%ce%ac%ce%be%ce%b5%ce%bd%ce%bf%cf%82-%ce%ba%cf%8c%cf%83%ce%bc%ce%bf%cf%82-%cf%80%ce%bf%cf%85-%ce%bb%ce%ad%ce%b5%ce%b9-%cf%80%cf%89%cf%82-%ce%b2%cf%81%ce%af%cf%83%ce%ba%ce%b5%cf%84/</link>
					<comments>https://athensinapoem.com/2018/01/01/%cf%80%ce%b1%cf%81%ce%ac%ce%be%ce%b5%ce%bd%ce%bf%cf%82-%ce%ba%cf%8c%cf%83%ce%bc%ce%bf%cf%82-%cf%80%ce%bf%cf%85-%ce%bb%ce%ad%ce%b5%ce%b9-%cf%80%cf%89%cf%82-%ce%b2%cf%81%ce%af%cf%83%ce%ba%ce%b5%cf%84/#respond</comments>
		
		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Mon, 01 Jan 2018 10:56:29 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Urban Poetics]]></category>
		<category><![CDATA[Αθήνα]]></category>
		<category><![CDATA[Ομόνοια]]></category>
		<category><![CDATA[Πειραιάς]]></category>
		<category><![CDATA[Σαλαμίνα]]></category>
		<category><![CDATA[Σύνταγμα]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=2112</guid>

					<description><![CDATA[Τι θέλουν όλοι αυτοί που λένε πως βρίσκουνται στην Αθήνα ή στον Πειραιά; Ο ένας έρχεται από τη Σαλαμίνα και ρωτάει τον άλλο μήπως «έρχεται εξ Ομονοίας» «Όχι έρχομαι εκ Συντάγματος» απαντά κι είν&#8217; ευχαριστημένος «βρήκα το Γιάννη και με κέρασε ένα παγωτό». Στο μεταξύ η Ελλάδα ταξιδεύει δεν ξέρουμε τίποτε δεν ξέρουμε πως είμαστε [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>δρόμοι φτιαγμένοι με φωνές και χαλίκια / Lefteris Poulios, &#8216;Roads&#8217; (1973)</title>
		<link>https://athensinapoem.com/2016/06/26/%ce%b4%cf%81%cf%8c%ce%bc%ce%bf%ce%b9-%cf%86%cf%84%ce%b9%ce%b1%ce%b3%ce%bc%ce%ad%ce%bd%ce%bf%ce%b9-%ce%bc%ce%b5-%cf%86%cf%89%ce%bd%ce%ad%cf%82-%ce%ba%ce%b1%ce%b9-%cf%87%ce%b1%ce%bb%ce%af%ce%ba%ce%b9/</link>
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		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Sun, 26 Jun 2016 10:46:09 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Urban Poetics]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=1757</guid>

					<description><![CDATA[Δρόμοι &#8211; στιλπνά σκούρα χταπόδια τούτης της χώρας μου, που πάνω σας δίχως μορφή και δίχως βάρος πορεύεται το μέλλον.Κούρσες, πούλμαν, δεξαμενόπλοια, κάποιο ποδήλατο και κανένα σπουργίτι που κυλά τις αόρατες ρόδες του πάνω στην άσφαλτο. Από κάτω υπόγειοι δρόμοι. Από πάνω αέρινες σήραγγες παίζοντας τζαζ. Δρόμοι πλάι σε αστραφτερές βιτρίνες, πλάι σ&#8217;αγάλματα ή ανάμεσα [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>«Η ουτοπία είναι εδώ κάτω απ&#8217; τα τσιμέντα» (Οι δρόμοι της Αθήνας / Streets of Athens)</title>
		<link>https://athensinapoem.com/2016/02/18/%ce%b7-%ce%bf%cf%85%cf%84%ce%bf%cf%80%ce%af%ce%b1-%ce%b5%ce%af%ce%bd%ce%b1%ce%b9-%ce%b5%ce%b4%cf%8e-%ce%ba%ce%ac%cf%84%cf%89-%ce%b1%cf%80-%cf%84%ce%b1-%cf%84%cf%83%ce%b9%ce%bc%ce%ad%ce%bd/</link>
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		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Thu, 18 Feb 2016 13:06:35 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Photos]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=1534</guid>

					<description><![CDATA[Photographs of Manolis Tsafos Μusic by: Stress &#8211; Athens Burning Γενιά του Χάους &#8211; Κοινωνικά Υποπροϊόντα Γενιά του Χάους &#8211; Χορός της Σιωπής Stress &#8211; Αθήνα]]></description>
		
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		<item>
		<title>Echoes of Harlem in Athens! &#8211; &#8216;Seabattle of Salamis Took Place off Perama&#8217; by Allen Ginsberg, Piraeus, 1961.</title>
		<link>https://athensinapoem.com/2016/02/05/echoes-of-harlem-in-athens-seabattle-of-salamis-took-place-off-perama-by-allen-ginsberg-piraeus-1961/</link>
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		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Fri, 05 Feb 2016 14:34:37 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Urban Poetics]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=1509</guid>

					<description><![CDATA[If it weren&#8217;t for you Mr Jukebox with yr aluminium belly roaring &#38; thirty teeth eating dirty drx. yr eyes starred round the world, purple diamonds &#38; white brain revolving black disks in every bar from Yokamama to Pyraeus winking &#38; beaming Saturday Nite what silence harbor Sabbath dark instead of boys screaming and dancing [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>poetic reality no8: The loss of the meaning of truth (dedicated to poet-put-on-trial Ashraf Fayadh)</title>
		<link>https://athensinapoem.com/2016/01/26/poetic-reality-no8-the-loss-of-the-meaning-of-truth-dedicated-to-poet-put-on-trial-ashraf-fayadh/</link>
					<comments>https://athensinapoem.com/2016/01/26/poetic-reality-no8-the-loss-of-the-meaning-of-truth-dedicated-to-poet-put-on-trial-ashraf-fayadh/#respond</comments>
		
		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Tue, 26 Jan 2016 12:31:47 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Poetic Reality]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=1484</guid>

					<description><![CDATA[I will have to sidestep my memory And claim that I sleep well. I’ve got to tear out the questions That have come looking for a rationale, to get convincing answers. The questions that, for very personal reasons, have come after the fall of the usual punctuation. Ashraf Fayadh, ‘Frida Kahlo’s Mustache’, trans. Mona Kareem [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>Acropolis like any Golgotha, by Allen Ginsberg (Athens, 1961)</title>
		<link>https://athensinapoem.com/2016/01/24/acropolis-like-any-golgotha-by-allen-ginsberg-athens-1961/</link>
					<comments>https://athensinapoem.com/2016/01/24/acropolis-like-any-golgotha-by-allen-ginsberg-athens-1961/#respond</comments>
		
		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Sun, 24 Jan 2016 08:10:42 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Urban Poetics]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=1464</guid>

					<description><![CDATA[&#8216;The light thru Parthenon columns is a great white-blue solid color &#8211; like looking thru eyesockets of a skull.&#8217; Allen Ginsberg, Athens, Fall 1961. From a letter to his father Louis as included in Family Business: Selected Letters Between a Father and his Son, Allen and Louis Ginsberg, ed. by Michael Schumacher, New York: Bloomsbury, [&#8230;]]]></description>
		
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			</item>
		<item>
		<title>Urban frame no7: Bleeding poetry in an urban non-place.</title>
		<link>https://athensinapoem.com/2016/01/20/urban-frame-no7-bleeding-poetry-in-an-urban-non-place/</link>
					<comments>https://athensinapoem.com/2016/01/20/urban-frame-no7-bleeding-poetry-in-an-urban-non-place/#respond</comments>
		
		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Wed, 20 Jan 2016 08:20:15 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Urban Frames]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=1461</guid>

					<description><![CDATA[May 1, 1978; Vouliagmenis Avenue. At 1.58 in the morning, a green fiat driven by Alekos Panagoulis goes off course and crashes into a basement garage. The driver is instantly killed. 28 years later, a new subway station opens in the area and is named the ‘Agios Dimitrios-Alexandros Panagoulis’ station. And so, a single spot [&#8230;]]]></description>
		
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		<item>
		<title>poetic reality no7: 1950s Athens as Palimpsest: A BBC Radio Play by Louis MacNeice</title>
		<link>https://athensinapoem.com/2015/11/04/poetic-reality-no7-1950s-athens-as-palimpsest-a-bbc-radio-play-by-louis-macneice/</link>
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		<dc:creator><![CDATA[Konstantina]]></dc:creator>
		<pubDate>Wed, 04 Nov 2015 08:22:56 +0000</pubDate>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Poetic Reality]]></category>
		<guid isPermaLink="false">https://athensinapoem.com/?p=1360</guid>

					<description><![CDATA[Read in the November 2015 issue of Transnational Literature: The problem of Athens: ‘The most famous and one of the oldest cities in Europe, but it’s hard to think of it as alive.’ For the most part, Athens was presented as a city whose past was superimposed upon the present making the present – along [&#8230;]]]></description>
		
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